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	<id>https://wikimalolos.com/wikimalolos/index.php?action=history&amp;feed=atom&amp;title=Macario_Pineda</id>
	<title>Macario Pineda - Revision history</title>
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	<updated>2026-04-04T08:21:48Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.39.3</generator>
	<entry>
		<id>https://wikimalolos.com/wikimalolos/index.php?title=Macario_Pineda&amp;diff=6165&amp;oldid=prev</id>
		<title>Standu at 23:58, 10 January 2025</title>
		<link rel="alternate" type="text/html" href="https://wikimalolos.com/wikimalolos/index.php?title=Macario_Pineda&amp;diff=6165&amp;oldid=prev"/>
		<updated>2025-01-10T23:58:07Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:58, 10 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Macario Pineda&amp;#039;&amp;#039;&amp;#039; (Macario de Guzman Pineda) was a fictionist. He was born in Malolos, Bulacan on 10 April 1912. He died on 2 August 1950. His parents were Felisa de Guzman and Nicanor Pineda, a wellknown practitioner of the balagtasan. He married Avelina Reyes, with whom he had seven children. After finishing his secondary schooling at Bulacan High School, he worked as a municipal clerk. Later, he became treasurer of the towns of Meycauayan, Pandi, and Bigaa. He also wrote columns for Daigdig and Liwayway magazines.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Macario Pineda&amp;#039;&amp;#039;&amp;#039; (Macario de Guzman Pineda) was a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&amp;#039;&lt;/ins&gt;fictionist&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&amp;#039;&lt;/ins&gt;. He was born in Malolos, Bulacan on 10 April 1912. He died on 2 August 1950. His parents were Felisa de Guzman and Nicanor Pineda, a wellknown practitioner of the balagtasan. He married Avelina Reyes, with whom he had seven children. After finishing his secondary schooling at Bulacan High School, he worked as a municipal clerk. Later, he became treasurer of the towns of Meycauayan, Pandi, and Bigaa. He also wrote columns for Daigdig and Liwayway magazines.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pineda published his first story, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“Five &lt;/del&gt;Minutes,” in the Graphic. He continued writing in English, but his Tagalog writings became more popular. In 1937, his “Walang Maliw ang mga Bituin” (The Stars Will Not Fade), which appeared in Mabuhay, was chosen as one of the 10 best short stories published that year. His works also appeared in Liwayway, Malaya, Bulaklak, Ilang-Ilang, Daigdig, and Sinag-Tala.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pineda published his first story, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“&amp;#039;&amp;#039;&amp;#039;Five &lt;/ins&gt;Minutes,&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&amp;#039;&lt;/ins&gt;” in the Graphic. He continued writing in English, but his Tagalog writings became more popular. In 1937, his “Walang Maliw ang mga Bituin” (The Stars Will Not Fade), which appeared in Mabuhay, was chosen as one of the 10 best short stories published that year. His works also appeared in Liwayway, Malaya, Bulaklak, Ilang-Ilang, Daigdig, and Sinag-Tala.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of his stories, which are notable for their subtle characterization and fine storytelling technique, are “Suyuan sa Tubigan” (Courtship at the Water’s Edge), “Kung Baga sa Pamumulaklak” (As a Flower Blooms), “Sinag sa Dulong Silangan” (Glimmer from the Far East), and “Ang Langit ni Ka Martin” (Ka Martin’s Heaven). His works were included in an anthology published during the Japanese occupation, Ang 25 Pinakamabuting Maikling Kathang Pilipino ng 1943 (The 25 Best Pilipino Short Stories of 1943), 1944, and in Teodoro A. Agoncillo’s Maikling Kuwentong Tagalog, 1886-1948 (Tagalog Short Stories, 1886-1948), 1949. His stories were collected in Ang Ginto sa Makiling at Ibang mga Kuwento (The Gold in Makiling and Other Stories), 1990, and Sa Himaymay ng Puso at Iba Pang Kuwento (Heart’s Thread and Other Stories), 2013, both edited by Soledad S. Reyes.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of his stories, which are notable for their subtle characterization and fine storytelling technique, are “Suyuan sa Tubigan” (Courtship at the Water’s Edge), “Kung Baga sa Pamumulaklak” (As a Flower Blooms), “Sinag sa Dulong Silangan” (Glimmer from the Far East), and “Ang Langit ni Ka Martin” (Ka Martin’s Heaven). His works were included in an anthology published during the Japanese occupation, Ang 25 Pinakamabuting Maikling Kathang Pilipino ng 1943 (The 25 Best Pilipino Short Stories of 1943), 1944, and in Teodoro A. Agoncillo’s Maikling Kuwentong Tagalog, 1886-1948 (Tagalog Short Stories, 1886-1948), 1949. His stories were collected in Ang Ginto sa Makiling at Ibang mga Kuwento (The Gold in Makiling and Other Stories), 1990, and Sa Himaymay ng Puso at Iba Pang Kuwento (Heart’s Thread and Other Stories), 2013, both edited by Soledad S. Reyes.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Standu</name></author>
	</entry>
	<entry>
		<id>https://wikimalolos.com/wikimalolos/index.php?title=Macario_Pineda&amp;diff=3419&amp;oldid=prev</id>
		<title>User1 at 13:54, 13 November 2023</title>
		<link rel="alternate" type="text/html" href="https://wikimalolos.com/wikimalolos/index.php?title=Macario_Pineda&amp;diff=3419&amp;oldid=prev"/>
		<updated>2023-11-13T13:54:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:54, 13 November 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot;&gt;Line 19:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 19:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Copyright © 2020 by Cultural Center of the Philippines&amp;lt;/pre&amp;gt;&amp;lt;/strong&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Copyright © 2020 by Cultural Center of the Philippines&amp;lt;/pre&amp;gt;&amp;lt;/strong&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;categorytree mode=&amp;quot;pages&amp;quot;&amp;gt;&lt;/del&gt;CCP Encyclopedia of Philippine Art&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/categorytree&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:&lt;/ins&gt;CCP Encyclopedia of Philippine Art&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;categorytree mode=&amp;quot;pages&amp;quot;&amp;gt;&lt;/del&gt;Who&amp;#039;s who in Malolos?&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/categorytree&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:&lt;/ins&gt;Who&amp;#039;s who in Malolos?&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;categorytree mode=&amp;quot;pages&amp;quot;&amp;gt;&lt;/del&gt;Wiki Marcelo&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/categorytree&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:&lt;/ins&gt;Wiki Marcelo&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;categorytree mode=&amp;quot;pages&amp;quot;&amp;gt;&lt;/del&gt;Panitikan&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/categorytree&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:&lt;/ins&gt;Panitikan&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;categorytree mode=&amp;quot;pages&amp;quot;&amp;gt;&lt;/del&gt;Index&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/categorytree&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:&lt;/ins&gt;Index&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>User1</name></author>
	</entry>
	<entry>
		<id>https://wikimalolos.com/wikimalolos/index.php?title=Macario_Pineda&amp;diff=3417&amp;oldid=prev</id>
		<title>User1 at 13:52, 13 November 2023</title>
		<link rel="alternate" type="text/html" href="https://wikimalolos.com/wikimalolos/index.php?title=Macario_Pineda&amp;diff=3417&amp;oldid=prev"/>
		<updated>2023-11-13T13:52:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:52, 13 November 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot;&gt;Line 18:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Copyright © 2020 by Cultural Center of the Philippines&amp;lt;/pre&amp;gt;&amp;lt;/strong&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Copyright © 2020 by Cultural Center of the Philippines&amp;lt;/pre&amp;gt;&amp;lt;/strong&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;categorytree mode=&quot;pages&quot;&gt;CCP Encyclopedia of Philippine Art&amp;lt;/categorytree&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;categorytree mode=&quot;pages&quot;&gt;Who&#039;s who in Malolos?&amp;lt;/categorytree&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;categorytree mode=&quot;pages&quot;&gt;Wiki Marcelo&amp;lt;/categorytree&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;categorytree mode=&quot;pages&quot;&gt;Panitikan&amp;lt;/categorytree&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;categorytree mode=&quot;pages&quot;&gt;Index&amp;lt;/categorytree&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>User1</name></author>
	</entry>
	<entry>
		<id>https://wikimalolos.com/wikimalolos/index.php?title=Macario_Pineda&amp;diff=3416&amp;oldid=prev</id>
		<title>User1 at 13:50, 13 November 2023</title>
		<link rel="alternate" type="text/html" href="https://wikimalolos.com/wikimalolos/index.php?title=Macario_Pineda&amp;diff=3416&amp;oldid=prev"/>
		<updated>2023-11-13T13:50:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:50, 13 November 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Pineda&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Macario&lt;/del&gt;&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Macario &lt;/ins&gt;Pineda&amp;#039;&amp;#039;&amp;#039; (Macario de Guzman Pineda) was a fictionist. He was born in Malolos, Bulacan on 10 April 1912. He died on 2 August 1950. His parents were Felisa de Guzman and Nicanor Pineda, a wellknown practitioner of the balagtasan. He married Avelina Reyes, with whom he had seven children. After finishing his secondary schooling at Bulacan High School, he worked as a municipal clerk. Later, he became treasurer of the towns of Meycauayan, Pandi, and Bigaa. He also wrote columns for Daigdig and Liwayway magazines.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Macario Pineda &lt;/del&gt;(Macario de Guzman Pineda) was a fictionist. He was born in Malolos, Bulacan on 10 April 1912. He died on 2 August 1950. His parents were Felisa de Guzman and Nicanor Pineda, a wellknown practitioner of the balagtasan. He married Avelina Reyes, with whom he had seven children. After finishing his secondary schooling at Bulacan High School, he worked as a municipal clerk. Later, he became treasurer of the towns of Meycauayan, Pandi, and Bigaa. He also wrote columns for Daigdig and Liwayway magazines.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pineda published his first story, “Five Minutes,” in the Graphic. He continued writing in English, but his Tagalog writings became more popular. In 1937, his “Walang Maliw ang mga Bituin” (The Stars Will Not Fade), which appeared in Mabuhay, was chosen as one of the 10 best short stories published that year. His works also appeared in Liwayway, Malaya, Bulaklak, Ilang-Ilang, Daigdig, and Sinag-Tala.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pineda published his first story, “Five Minutes,” in the Graphic. He continued writing in English, but his Tagalog writings became more popular. In 1937, his “Walang Maliw ang mga Bituin” (The Stars Will Not Fade), which appeared in Mabuhay, was chosen as one of the 10 best short stories published that year. His works also appeared in Liwayway, Malaya, Bulaklak, Ilang-Ilang, Daigdig, and Sinag-Tala.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot;&gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Written by Malou L. Maniquis&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Written by Malou L. Maniquis&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;strong&amp;gt;&amp;lt;pre style=&amp;quot;yellow-space: pre;&amp;quot;&amp;gt; &lt;/ins&gt;This article is from the CCP Encyclopedia of Philippine Art Digital Edition.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This article is from the CCP Encyclopedia of Philippine Art Digital Edition.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Title: Pineda, Macario&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Title: Pineda, Macario&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot;&gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 17:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Access Date: November 13, 2023&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Access Date: November 13, 2023&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Copyright © 2020 by Cultural Center of the Philippines&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Copyright © 2020 by Cultural Center of the Philippines&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/pre&amp;gt;&amp;lt;/strong&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;All rights reserved. Cultural Center of the Philippines (CCP) is the sole and exclusive distributor of the Encyclopedia of Philippine Art (EPA) Digital Edition. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including recording, or other electronic or mechanical methods, without the prior written permission of the CCP, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by the copyright law, provided that in-text citations and proper acknowledgement must be used. For permission requests, write to the ipr@culturalcenter.gov.ph, addressed “Attention: EPA Digital Edition content permission”.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>User1</name></author>
	</entry>
	<entry>
		<id>https://wikimalolos.com/wikimalolos/index.php?title=Macario_Pineda&amp;diff=3415&amp;oldid=prev</id>
		<title>User1: Created page with &quot;&#039;&#039;&#039;Pineda, Macario&#039;&#039;&#039;  Macario Pineda (Macario de Guzman Pineda) was a fictionist. He was born in Malolos, Bulacan on 10 April 1912. He died on 2 August 1950. His parents were Felisa de Guzman and Nicanor Pineda, a wellknown practitioner of the balagtasan. He married Avelina Reyes, with whom he had seven children. After finishing his secondary schooling at Bulacan High School, he worked as a municipal clerk. Later, he became treasurer of the towns of Meycauayan, Pandi, a...&quot;</title>
		<link rel="alternate" type="text/html" href="https://wikimalolos.com/wikimalolos/index.php?title=Macario_Pineda&amp;diff=3415&amp;oldid=prev"/>
		<updated>2023-11-13T13:48:39Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;Pineda, Macario&amp;#039;&amp;#039;&amp;#039;  Macario Pineda (Macario de Guzman Pineda) was a fictionist. He was born in Malolos, Bulacan on 10 April 1912. He died on 2 August 1950. His parents were Felisa de Guzman and Nicanor Pineda, a wellknown practitioner of the balagtasan. He married Avelina Reyes, with whom he had seven children. After finishing his secondary schooling at Bulacan High School, he worked as a municipal clerk. Later, he became treasurer of the towns of Meycauayan, Pandi, a...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Pineda, Macario&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
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Macario Pineda (Macario de Guzman Pineda) was a fictionist. He was born in Malolos, Bulacan on 10 April 1912. He died on 2 August 1950. His parents were Felisa de Guzman and Nicanor Pineda, a wellknown practitioner of the balagtasan. He married Avelina Reyes, with whom he had seven children. After finishing his secondary schooling at Bulacan High School, he worked as a municipal clerk. Later, he became treasurer of the towns of Meycauayan, Pandi, and Bigaa. He also wrote columns for Daigdig and Liwayway magazines.&lt;br /&gt;
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Pineda published his first story, “Five Minutes,” in the Graphic. He continued writing in English, but his Tagalog writings became more popular. In 1937, his “Walang Maliw ang mga Bituin” (The Stars Will Not Fade), which appeared in Mabuhay, was chosen as one of the 10 best short stories published that year. His works also appeared in Liwayway, Malaya, Bulaklak, Ilang-Ilang, Daigdig, and Sinag-Tala.&lt;br /&gt;
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Some of his stories, which are notable for their subtle characterization and fine storytelling technique, are “Suyuan sa Tubigan” (Courtship at the Water’s Edge), “Kung Baga sa Pamumulaklak” (As a Flower Blooms), “Sinag sa Dulong Silangan” (Glimmer from the Far East), and “Ang Langit ni Ka Martin” (Ka Martin’s Heaven). His works were included in an anthology published during the Japanese occupation, Ang 25 Pinakamabuting Maikling Kathang Pilipino ng 1943 (The 25 Best Pilipino Short Stories of 1943), 1944, and in Teodoro A. Agoncillo’s Maikling Kuwentong Tagalog, 1886-1948 (Tagalog Short Stories, 1886-1948), 1949. His stories were collected in Ang Ginto sa Makiling at Ibang mga Kuwento (The Gold in Makiling and Other Stories), 1990, and Sa Himaymay ng Puso at Iba Pang Kuwento (Heart’s Thread and Other Stories), 2013, both edited by Soledad S. Reyes.&lt;br /&gt;
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Among Pineda’s novels that were serialized in magazines or published as books are Halina sa Ating Bukas (Welcome to Our Future), 1947; Ang Ginto sa Makiling (The Gold in Makiling), 1947; Mutyang Tagailog (River Nymph), 1947-48; Langit ng Isang Pag-ibig (Lover’s Paradise), 1947; Isang Milyong Piso (One Million Pesos), 1950; and Nagugoran, 1952.&lt;br /&gt;
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Written by Malou L. Maniquis&lt;br /&gt;
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This article is from the CCP Encyclopedia of Philippine Art Digital Edition.&lt;br /&gt;
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Title: Pineda, Macario&lt;br /&gt;
Author/s: Malou L. Maniquis&lt;br /&gt;
URL: https://epa.culturalcenter.gov.ph/9/80/5596/&lt;br /&gt;
Publication Date: November 18, 2020&lt;br /&gt;
Access Date: November 13, 2023&lt;br /&gt;
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Copyright © 2020 by Cultural Center of the Philippines&lt;br /&gt;
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All rights reserved. Cultural Center of the Philippines (CCP) is the sole and exclusive distributor of the Encyclopedia of Philippine Art (EPA) Digital Edition. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including recording, or other electronic or mechanical methods, without the prior written permission of the CCP, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by the copyright law, provided that in-text citations and proper acknowledgement must be used. For permission requests, write to the ipr@culturalcenter.gov.ph, addressed “Attention: EPA Digital Edition content permission”.&lt;/div&gt;</summary>
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